Who or what is Formloos: One Man Art Collective

The name Formloos One Man Art Collective is a conscious choice. As an artist, I am proud of my versatility: from visual art to jazzy music, from street poetry to hybrid books.

For some, this diversity can be confusing or even overwhelming. But that is precisely where my working method lies. Formloos stands for freedom of form, for experimentation, and for transforming existing frameworks — many faces, one creator.

So Under the name FORMLOOS — One Man Art Collective, I work across disciplines: hybrid books, street-poetry, visual art, jazzy beat-driven music (as JZZBUCKET), and experimental voice-based electronic music. Although the forms vary, the core remains the same: freedom, experiment, and accessibility must coexist.

Sometime in the mid-90s I opened a door and found a corridor of endless ideas, moving freely between painting, theatre plays, scenarios, music, street poetry, and—since 2015—my main focus: experimental writing, such as hybrid books and pocket-sized chapbooks.

Paintings / visuals

With my paintings I search for clarity and a childlike vision within the chaos of the world: bold colour fields, sharp black lines, and visible brush textures that reduce uncertainty to essential forms. Lately, I’ve incorporated xerox-style paper textures and kindergarten-like perspectives, pushing the work toward something both raw and strangely innocent.

Hybrid novels

My hybrid novels offer a different kind of reading experience. Their impulse is exploration: each page becomes a blank canvas where content turns into form and form into content. Inspired by pioneers of experimental language arts such as Bert Schierbeek, whose work helped redefine what literature can be, I use collage, cut-up, and ready-mades—experimentation without the chaos.

Verbeelding in zakformaat

Verbeelding in zakformaat is a series in which I offer portable fragments—small books meant to travel with you, to be opened anywhere as intimate, fleeting encounters with language and image. They are not traditional poetry collections, but fragments drawn from a decade of hybrid literary work: an invitation to look closer and to question the boundaries of reading, writing, and seeing.